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You may click the link to switch the active language. Sono i giochi di un tempo con un brillante vestito di festa! E ancora un grande Cavallo di Legno da cui essere trainati, Bolle di Sapone Giganti, il Tiro ai Barattoli e la Pesca delle Ochette per misurare la propria destrezza e il laboratorio artistico Giracolore per dipingere in libertà.

My circus has his strongly personal vocabulary done from fragility, from risks, from strength, from control. It is staged from an abounding object, a sphere of balance or of imbalance, according to the expression that everyone prefers.

In the project of creation La Chute , the circus generates an epiphany: I am trying to broadcast a message destined to touch in the intimate each spectator. Their performance is neverfixed. They think outside the box and defy the boundaries of the circus show but to think outside the box and defy the boundaries of stereotype circus shows.

Love and Violence, Smile and Hatred and Enlightement and ambivalence , they challenge all the taboo in Japanese society! Conclude la sua esibizione salendo sopra il suo pentaciclo monociclo di 5 ruote , sfidando ancora la gravità con un grand finale altissimo, focoso e mozzafiato.

Kaleidos vuole far scoprire ai ragazzi la sorprendente galassia del circo contemporaneo nelle sue molteplici forme, proponendo workshops, seminari e incontri.

Nel pomeriggio i ragazzi frequentano seminari e workshops. Dunque appuntamento tutte le mattine alle The Clayhead show began life as an art college experiment over ten years ago and has become a unique performance that will be memorable for all who see it.

Questo incontro speciale cambierà il corso delle loro vite. Incredibilmente strambo e originale! Due parti di tromba e una di trombone su una base di basso tuba… e infine una spruzzata di sax. Questo è il mix dei Braxophone per un cocktail musicale che sa di evergreen alla Sinatra, con un retrogusto dixie alla Armstrong che sfocia in un bouquet fruttato di standard alla Duke Ellington! Per la XII edizione Mirabilia unisce i maggiori nomi del circo contemporaneo, delle arti di strada e della danza a livello mondiale e una maggiore compenetrazione con il territorio: I corti saranno programmati tutti i giorni, dal 27 giugno al 1 luglio, alle ore Clownerie, bolle e amicizia: Oh cielo quanto ci piacciono!

Clownerie, bubbles and friendship: A tender story of a crazy friendship, a bottle dropped in a puddle in the middle of a lawn, a little acrobat fish full of energy and many, many soap bubbles. Oh dear how much we like soap bubbles! It was presented since also in theatres and site specific spaces. This work is defined through a precise structure and organization of space, movement and sound and in the geometric reading of the space where it takes place.

It is based on the idea of Wind, not in an atmospheric sense. The wind here is meant as creator and motor of changes and dynamics in the physical and musical score. Like the wind the force that moves is invisible, what we can perceive — through movement and sound — is the result of a passage…in an urban landscape. Mademoiselle proverà in tutti i modi a smuovere la situazione, sfruttando la sua dignità borghese la sua parlantina, il denaro e persino vaneggiando conoscenze altolocate….

Sarà invece il suo saper essere sincera, anche spettinata e struccata, che la porterà a conquistare semplicità e autoironia: Ha deciso, sarà un clown.. Una carovana extralarge per raccogliere il bagaglio di una nuova vita. An hilarious and explosive variety show, where comic timing meets live music and all the aspects of the theatrical comedy. Sacrilegious, irreverent, engaging; Their irresistible rhythm will drag you into a whirlwind of laughter with no way out!

Possiamo sentirci forti e allo stesso tempo rilassati? Pesanti ma ugualmente leggeri, connessi alla terra mentre levitiamo, sottomessi ma allo stesso tempo padroni? La performance esplora una miscela di forza e debolezza. In un connubio tra abbandono e responsabilità, con una performance quasi al di là delle plausibili capacità umane, questa pièce risuona là dove i corpi trovano una connessione.

Il tema del doppio coinvolge tutti i personaggi della commedia e li trascina in un carosello di equivoci e situazioni grottesche. La conclusione, alla maniera delle favole rappresentative, è un lieto fine in cui si coniugano amore e pazzia. Il linguaggio primo è la Maschera: Una volta cresciuti hanno deciso di continuare questo lavoro e il loro spettacolo li vede muoversi in sincrono e impegnarsi in numeri di giocoleria, acrobazie, sputate di fuoco e fachirismo.

Questa performance è appositamente concepita per un itinerario che si snoda in diverse location: She travels the world in a box, He only wants to stay out of troubles… A breathtaking flirt looking for a love story. Among boxes, ladders and suitcases, one is launched into the unpredictable world of Klinke. Treading the fine line between technique and poetry, it is a sublime show which melts the most important aspects of performance namely theatre, dance and circus, culminating in the unique genre of the new circus.

Klinke is a piece of entertainment which is able to keep the audience glued to their seats as well as take them on an enthralling journey of excitement and amusement. KALINKA is a theater performance in which musical eclecticism and aerial acrobatics trapeze, tissus joins with games of extreme originality, gags, improvisation, comic spontaneity and carefully planned effects to create a work of extreme freshness and effect.

KALINKA é uno spettacolo comico e coinvolgente, in cui il pubblico, senza distinzioni tra grandi e piccini, viene chiamato ad una partecipazione diretta e divertita. Maximum security and law enforcement: Will our heroes succeed in this arduous task? Difficult to give a definite answer, because the road — as always — is full of surprises.

Perhaps the car that has been entrusted to the mission is not in the best of states and perhaps even they are not the best special agents on the market, or perhaps they are not even special agents: Despite their efforts, the effect will not be what they want, and all attempts to restore order will inevitably lead to chaos or rather to a real public disorder. Gerardo Karcocha aka El Karcocha Chilean, is the quintessential street mime. Self-educated in his country, he exported his experience all around the world, enriching it and becoming able to improvise in any situation.

El Karkocha presents the art of mime and silent clown in a way so intriguing, delicate, discreet and much more contemporary. In an instant he can form a large circle of audience and conquer it. The performance begins spontaneously, full of imagination, poetry and magic. Three clown-soldiers, veterans of all wars of history, who arrive in our streets, on the stages of our theaters, everywhere there is someone who is waiting for them, to raise a monument to the fallen of every war and remember how much stupidity there has been in history.

Between classic gags and surprising, misunderstandings and betrayals, looking with our eyes ever the naivety of the clown and the weakness of man, to laugh of both in a show and to reconsider returning home, perhaps in front of the tv and usual TG. The cerebral death is sadly usual now days.

The people that suffer from this death, they become for them wish donors of organs. The passage of these organs from a body to another, eyes, backs, bellows, heart, etc..

The performance is created for two male interpreters and he focused on the relation where sentiments and materiality inspires to the animal instinct, true, instinctive, carnal … Immersed in a sonorous and bright space, the spectator is emotionally involved by a strong and aggressive choreography. From the word to the body and from the body to the word.

A journey between two different cultures and western Indian, which takes the form of a composition in three paintings on the states of the day: What our version of Lo Schiaccianoci offers is a plunge between desires and memories, starting from that point in time when the magic of Christmas was still so real and special in us.

Lo Schiaccianoci wants to be a show for an ensemble of dancers, all surprised on the threshold or in full adulthood. An invitation to remember who we were and who we imagined to become. A real and dreamlike world at the same time, tragically comical, paradoxically sincere, where dreams come knocking on the door of the present to make us believe that they have become real. Phasmes is the new project of Fanny Soriano who created an acrobatic duet for two great acrobatic performers discovering the human animalism supported by an excellent technique level.

Two human bodies become a unique animal, an insect or a fluid and crawling figure that can be fast and ferocious. Lo spettacolo, presenta in scena Davide Demasi , performer escapologo ed equilibrista, ed Elena Timpanaro , acrobata aerea, insegnante di discipline aeree alla scuola di circo FLIC e performer ai tessuti per la cerimonia di chiusura delle Olimpiadi Torino Davide Demasi , in arte Mister David, si è esibito davanti a persone di ogni razza e su ogni tipo di palco: Nei suoi spettacoli propone numeri di cabaret, performance di giocoleria ed equilibrismo, comedy magic, close up e street magic.

Nel batte il record del mondo di salti con la corda su monociclo. Un one man show, un presentatore, un record man, un prestigiatore, un giocoliere, un equilibrista, un escapologo, un comico! Sapesse anche cantare e ballare! From the southernmost South, from Mar del Plata, Argentina, the ManoAmano Company tours around the world with its master piece of precision, vertigo and comedy.

A duo of acrobats rests six meters high, fed by the most suffering tension, ready to break anything that may seem to be standing still. The manoAmano Company exhibits how acrobatics takes a new shape when it is transferred from the floor that everybody steps on, to the air that everybody dreams of. A couple of tender characters put together simple situations through the powerful language of acrobatics sharing lots of humor and sweet naughtiness. The manoAmano Circus Company does not fly, they know they never will, but they keep trying anyhow.

Dodai is a juggling, dance and theatre pièce about a group confronted with everyday problems concerning the questions: The Minu et ti is an experimental circus show.

How to do circus in 1 minute? Can a series of fragments as a whole give the clarity of the whole? In an attempt to answer this questions the elements of the collective have worked on the elaboration of twenty pièce of 1 minute duraction each, from wich the short form was born: The intent of the collective is to evoke an emotional dramaturgy thath leaves the public free to understand the stage act according to their personal experience.

A show that challenges the laws of the gravity. An exercise on the laws of the gravitational pull: It is never possible to know how the game will be evolved, how much will last the hanging tension of the balance or to foresee a fall. The breath is hung with them. The public is participating of tension that is generated by the game, but pleasantly struck by the stunning image that each time the balance creates and supports. Every balance act is unstable for definition. The performance is the result of an academic course of two years whose objective is learning how to think up, to create and to organise a show and what it allows to the students of being ready to enter in the world of the work.

Born to be circus reloaded is the second step of a triennial ambitious collective project that will lead to his final shape to Biennale Internazionale des Arts du Cirque of Marseilles in The creation is a group of 3 different shows that offer a slice of the potentialities of artistic creation of the first and only big company of contemporary circus in Italy.

In an imaginery study a psichologist imprsonified by a strange doctor is dealing with of patiens with every type of problems: A comical, light and enjoyable show able to live in the strange behaviour of the clowns and in the extraordinary virtues of the acrobats perfect for the entire family. The first creation of UNATI invites us to a journey from darkness to light, suffer to its liberation, collapse to hatch, purification to jubilation….

An epic talking about the human being; current, single, singular and collective in search of his way in the meanders of the unconscious. A confrontation, a liberation and a metamorphosis become necessary in order to access the birth into the light; a new self, free from any attachments guiding him towards its freedom.

A new way gets drawn and opens to a transcended primordial departure towards unity. A communion between earth and sky emerges from the depths and welcome a swirling life dance gushing of love from a free and luminous heart. The champion of the world of acrobatic bicycle, winner of 2 guinnes record, the artist who appeared in the cover of the Cirque du Soleil acrobatic show Saltimbanco, Ivan Do-Duc decides to explore new trials, more contemporary and artistically interesting.

Waiting for is an experimentation in modern key that glean from his subconscious, with the support of the music, the bicycle, but above all through the materiality of the circus. Cabaret Sauvage is a place in Paris where the concept of contemporary circus is born.

Cabaret Sauvage is where the great artists who have done the history of performing arts in Spain, France, Belgium have moved the first passes and experimented something of different one. Cabaret Sauvage is a state of mind, a dispositiOn of the spirit, a wish to go beyond. A show that inquired into the nature of the scenic device crossing it together with the public in a new perspective, focused not on the interpretation of the symbol but on shared experiential dynamics.

The aesthetic winks at the cult flm Arancia Meccanica. The orange, the milk, the white, the sadomasochistic relationship of the artist with the spectacular system and with the spectators, act as a background to the unfolding of the action. It also symbolizes the vertical evolution, the progressive ascending movement. It contains the synthesis of the five senses, the number of fingers of a hand, it is the basis of decimal mathematics, it is the pentacle number, and the number of the five-pointed star.

It is the number of human kind, a number to which men have attributed transcendental meanings since the beginning of time. A new creation of Thomas Noone Dance with gestural elements and clown resources that seeks to approximate dance and circus.

The pièce explores the relationships of the individual human being with the collective. How close can we be to someone? How much do we show of ourselves? To what extent do we know each other? What action will betray us and when will we betray ourselves? A pièce for six interpreters who will be weaving a network of relationships through a very expressive and acrobatic dance. Perverso affronta da un punto di vista surreale e assurdo come ci comportiamo nella società che ci circonda.

Questo pezzo è la prima creazione della compagnia Thomas Noone Dance per spazi aperti. And why we often are looking for it.

Exploring a mind on the edge of fear, Behind the Dark is a spectacular fusion of aerial acrobatics and dance. Staged deep in the woods at night — Behind the Dark explores the darkness both without and within, moving from the surreal to the ecstatic, and shot through with moments of unsettling beauty and raw, savage power.

An ambitious highly immersive performance presented in a mature stand of trees within a park or woodland, takes an audience into a unique experience of the dark woods.

The Event Horizon of a Black Hole defines an imaginary surface of time and space that separates the points from which signals can still escape, from those where it is no longer possible. Von is set in this imaginary border where what is clear and legible encounters what is dark and mysterious. A reflection on dance meant as a continuous mutation and transformation in relation to external forces that act on the body and on the space.

The performance is conceived as a choreography of the three elements of movement, light and sound. Natural forces, physical forces and political forces, transform, distort and move the bodies and their proceeding in time, that is the primary and omnipresent character of this performance.

A comic and funny show where the actor in question, Rafael Sorryso , has a look of degrees, improvising and interacting with the audience both theatrically and musically, virtually throughout his performance. Appropriate for a public of 0 to 99 years. The classic battle between the Knight and the Dragon is the pretext for a show that amazes and catches the attention of children and adults. In a small town a terrible dragon has plagued the people for over years, making them crazy with fear.

The dragon that is always changing his appearance: Each year, not to burn the city and eat the inhabitants, the Dragon wants rich gifts and great deals…. An unlikely Spiderman,pathetic and defeated, is suspended at tens of centimeters above the ground,wrapped tight, with a roll of cellophane, to a column in the middle of an urban crossroads.

The image has a force at once sublime and terrible,but the real show is in the reaction of the passers-by,encouraged by a carer who accompanies the Superhero to take advantage of this incredible oppurtunity to be confronted with the normality of the defeat of the invincible. The performance unfolds in two parts: Me da igual is a collection of single performances. Hopefully the bomb will be powerful enough, viruses will cause a small epidemic, the dictatorship of daily nothingness will be temporarily defeated.

All this just to put on a show, to amuse, to bark. Human specific performance of conversation and micro-readings for one guest at a time. From this assumption, La Lettrice Vis-à-Vis chooses and catalogues, with her original methodology, the meaningful pages of contemporary literature, then she welcomes her guests in her travelling living room and listens, chats, tries to find the right page for everyone, in the space of a few minutes.

Everything happen during the show is Unique because the show is completed by an improvised universe where the purpose is to change the look of the Public, Stun It with the acrobatic prowesses, but also let him think and smile! The poetry of a character that lives in a fantastic and Oniric Universe joins the sarcasm of the life that sometimes bring us to risk a lot to receive only a little smile… Hobo is the Deep side of everybody!

The accordionist play the seller. The soprano and flautist compete in singing, music and other skills: Opera Guitta will present some of the arias that always touch our souls from Donizetti to Mozart, from Rossini to Verdi. Opera Guitta is a collaboration between Trio Trioche and Ass. The Trio Trioche company was part of Mirabilia Festival program with the show Troppe Arie, a successful music performance and clown show. This new creation elaborate the interesting combination of opera, street theatre and circus art.

Cyclophones is a collection of participative installations transforming the bicycle in a mouvement, visual and sound composition vehicule. The Cyclophones create mecano-acoustic discovery environments in wich the public is invited to play, cycle, move, meet, explore, compose. This new score for body and chinese pole arises from the need to return to a certain simplicity, to the essentiality of movement. A new look at choreographic writing of the Chinese pole on the stage, closer to the spectator in an intimate relationship, a form of sharing.

It is a contemplative, sensory, abstract experience, using bodily metaphors to trigger primitive emotions that have meaning and an independent strength in the spectator. Nonada is a dialogue between the author and the Chinese pole, a friendly confrontation between man and the pole, which brings the spectator to be his witness.

Our show investigates specific themes and settings contained in the novel: Full performance available from June The square will appear completely empty and with no signs of staging.

Suddenly actors and musicians will enter the square while drumming on massive wooden barrels and carrying big props a cart, ladders, trolleys, beams, sails. The audience, positioned in a circle around the stage will feel part of a proper shipyard, it will be witness of the construction of the White Whale. Once apon a time there was the wind. Once apon a time there was such a strong storm that brought a clown to a red bench. He returned to the red bench because that was his home, with a lamppost, a carpet, a basket, and a radio with the antenna.

The storm, that day, brought the clown on the red bench, a dream. You can understand just by standing near the bench, but a bit distant, I recommend, because suddenly it rains and there is only one umbrella.. And then everything, as in dreams, is possible… everything, even change suddenly your life, if you want…. Tobia Circus presents an innovative show where ordinary brums lead us in the absurd world of Philip Sutil, a thin and nimble gentleman who loves women and dancing.

This is a show of balancing and clownerie with a surreal note where twists and unexpected turns follow one another. A micro-show of objects and imagination, inside a box of wonders, for one spectator at a time! Hundred of amazing, exhilarating and dangerous numbers! Each performance demonstrates the incredibly high standards reached by these little creatures, through their long biological lifespan and performing careers. Presented by the extravagant and charming italian tamer Chiara Trevisan, the smallest circus of the world is waiting for your eyes only, one at a time inside the box of wonder, for a unique, private and exclusive moment of pure fun.

Absolutely everything can go south at any instant. Accidents are as plausible as they are unexpected. Everyone is exposed to different levels of accidents, from comical mishaps to serious injuries….

So, how does a human being bounce back, using that very trauma as a strength? This show presents our thoughts on the notion of resilience. But how do we express it with the aerial cradle?

Il lavoro è un suggestivo esercizio sulla rivelazione del complesso essere femminile…. CONCEPT 1 Corpi danzanti del Balletto Teatro di Torino diventano la base per un nuovo alfabeto dinamico, facendo si che grafica e movimento coreutico dialoghino tra loro in un perfetto connubio. Verranno esplorati i concetti base della poetica del BTT: Pyrotechnist in his approach with the audience who loves him since the first impact are adult that children.

He presents authentic trick and gags strange involving the audience in his crazy scenic adventures. Guided by the divine illumination of the gorilla Fabrizio, the artistic meeting between the two actors resulted in a fusion of their techniques: All this has resulted in the creation of a show endowed with an incredible energy and unpredictable delirium, with a great deal of involvement from the audience. The show begins with an empty space, ringed by the audience.

The performer shows up, dragging the FlyCase, a wooden black case, conquering all the space and dancing with it. Then he opens the FlyCase, and everything comes out: Afterwards, Ginko comes out of the case: As the performer wears it, he starts dancing a mad dance, which leads him to the discovery of the third element: So, he takes out of the flycase the tools of fire, and dances and juggles with energy and strenght.

But the FlyCase hides another present, maybe the most precious one: By wearing it, the performer will discover a different kind of dance, soft, sensual and fragile.

La Famiglia Mirabella looks like a contemporary version of the circus of the past, but its true origin lies in street theater of the twentieth century. Energy, juggling, mime, acrobatics, dance, theater, music…,these are the components of this unique event.

In public squares, empty and lifeless up to a moment before, a Dutch bike suddenly appears with three wheels, unicycles of various sizes, pins, balls, music and five characters with gaudy apparel, hats and vests: The curtain rises before the eyes of the public,and… The show begins! Breathtaking acrobatics on rola bola, with a lot of hulla hoop and juggling, and dance that bursts like a whirlwind of joy, followed by many stunts and smiles of children, which often evolve into collective laughter.

Now the time come to leave you speechless! Even for the most demanding…, the performance rips a loud, uncontrollable applause from everyone. The show is breathtaking. Acrobatica, giocoleria e verticalismo si fondono in uno spettacolo a forte impatto emotivo: Lo spettacolo vuole essere una critica su come viene usato il tempo nella società moderna: Quattro artisti che vengono da percorsi e discipline completamente diverse si mettono a confronto, essendo loro stessi parte di questa società ed essendone catturati in maniera differente.

Nel viaggio affrontano costantemente le difficoltà del percorso: Il tutto ben amalgamato per cuocere storie, assaggiare viaggi, stuzzicare desideri e annusare fantasia!

Diverged is inspired by the poetry of Robert Frost to tell the inner struggle that occurs between logic and instinct when you have to make a decision. A dancer embodies the role of logic, she is associated with the archetype of the Earth, and an air acrobat is the instinct, he is associated with the Air archetype. At the beginning the characters are the mirror of each other, move in unison, but in their evolution occurs gradually and each manifests its own drive toward an element: The rope divides the scene, as to indicate graphically a boundary between spaces, but with defining of character of the actors become a contentious issue: The impulse of the characters toward opposing spaces generates tension, which increases gradually to result in a conflict that sets new boundaries: It is clear, however, that this solution leads to unhappiness of both: For this reason, the performers are compared again, have changed and matured than the first time, disillusioned by the experience of solitary life in their element, they are willing to deal with conflict differently, to dissolve it and to transform it into play; This new approach leads them to a compromise, a balance that respects the nature of each.

Closer is a project that challenges the traditional relation between dance and audience, seeking a closer and democratic encounter with the spectator. The will to investigate the gesture and the intersection between dance and physical theatre has lead towards circus and the circus space and we believe that the performance ability of the dancers will be deepened through acquired skills such as clown, acrobatics or object manipulation.

The idea is not to create a dance-circus fusion but find a new language appropriate to the final dance show. Nando e Maila are an artist couple: They always agree to disagree, on stage as well as in real life. So, how can you break the humdrum life of a couple when the music, althought rich in variations on the theme, always comes down to the same old song?

From one dream to an idea, from one idea to a project, from one project to an adventure, from one adventure to In-Confort. The story of a road to uncertainty, to the unknown, to the intensity and discomfort. Or how we like to call it: Leolulu - Intensa scopata nella casa sull'albero con due sborrate!

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The Speedicut Papers Book 2 — The Place of Words. Publishing Women's Life Stories in France, Tudor and Stuart Embroidery. The Power and Patronage of Marguerite de Navarre.

Exile, Imprisonment, or Death. Hallelujah — The story of a musical genius and the city that brought his masterpiece to life. Portraiture and Politics in Revolutionary France. Marie Madeleine Jodin — Performance, Poetry and Politics on the Queen's Day. A Little History of the United States. Jewish Life in Poland. Nobility and patrimony in modern France. The Art of Illustration. The Second French Republic The Politics of the Provisional.

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Come scrivere un'ottima recensione. La recensione deve essere di almeno 50 caratteri. Il titolo dovrebbe essere di almeno 4 caratteri. Il nome visualizzato deve essere lungo almeno 2 caratteri. Noi di Kobo ci assicuriamo che le recensioni pubblicate non contengano un linguaggio scurrile e sgradevole, spoiler o dati personali dei nostri recensori. Hai inviato la seguente valutazione e recensione. Appena le avremo esaminate le pubblicheremo sul nostro sito.

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ans sex escort girl libourne The piece tells, with grotesque irony, about the existential growing ugly of a society on the edge of hysteria. Through the timeless in every moment, the bodies in symbiosis atracted and repelled, where pragmatic and ethereal mood touch each other, allowing both the imagination and the emotion, to emerge. The performance is accessible to a wide range of audiences and particularly suitable for young adults. Autour du domaine is based on th poem Du domaine by Guillevic. Hai inviato la seguente valutazione e recensione. Chiudi Segnala una recensione Noi di Kobo ci assicuriamo che le recensioni pubblicate non contengano un linguaggio scurrile e sgradevole, spoiler "ans sex escort girl libourne" dati personali dei nostri recensori. The starting point of the research is a reflection on some art works from worldwide contemporary art heritage by Porno voyeur escort vivastreet avignon Kosuth, Michelangelo Pistoletto, Christian Boltanski, Jannis Kounellis, Goshka Macuga….

Human specific performance of conversation and micro-readings for one guest at a time. From this assumption, La Lettrice Vis-à-Vis chooses and catalogues, with her original methodology, the meaningful pages of contemporary literature, then she welcomes her guests in her travelling living room and listens, chats, tries to find the right page for everyone, in the space of a few minutes.

Everything happen during the show is Unique because the show is completed by an improvised universe where the purpose is to change the look of the Public, Stun It with the acrobatic prowesses, but also let him think and smile! The poetry of a character that lives in a fantastic and Oniric Universe joins the sarcasm of the life that sometimes bring us to risk a lot to receive only a little smile… Hobo is the Deep side of everybody!

The accordionist play the seller. The soprano and flautist compete in singing, music and other skills: Opera Guitta will present some of the arias that always touch our souls from Donizetti to Mozart, from Rossini to Verdi.

Opera Guitta is a collaboration between Trio Trioche and Ass. The Trio Trioche company was part of Mirabilia Festival program with the show Troppe Arie, a successful music performance and clown show.

This new creation elaborate the interesting combination of opera, street theatre and circus art. Cyclophones is a collection of participative installations transforming the bicycle in a mouvement, visual and sound composition vehicule. The Cyclophones create mecano-acoustic discovery environments in wich the public is invited to play, cycle, move, meet, explore, compose.

This new score for body and chinese pole arises from the need to return to a certain simplicity, to the essentiality of movement. A new look at choreographic writing of the Chinese pole on the stage, closer to the spectator in an intimate relationship, a form of sharing. It is a contemplative, sensory, abstract experience, using bodily metaphors to trigger primitive emotions that have meaning and an independent strength in the spectator.

Nonada is a dialogue between the author and the Chinese pole, a friendly confrontation between man and the pole, which brings the spectator to be his witness. Our show investigates specific themes and settings contained in the novel: Full performance available from June The square will appear completely empty and with no signs of staging.

Suddenly actors and musicians will enter the square while drumming on massive wooden barrels and carrying big props a cart, ladders, trolleys, beams, sails. The audience, positioned in a circle around the stage will feel part of a proper shipyard, it will be witness of the construction of the White Whale. Once apon a time there was the wind. Once apon a time there was such a strong storm that brought a clown to a red bench. He returned to the red bench because that was his home, with a lamppost, a carpet, a basket, and a radio with the antenna.

The storm, that day, brought the clown on the red bench, a dream. You can understand just by standing near the bench, but a bit distant, I recommend, because suddenly it rains and there is only one umbrella..

And then everything, as in dreams, is possible… everything, even change suddenly your life, if you want…. Tobia Circus presents an innovative show where ordinary brums lead us in the absurd world of Philip Sutil, a thin and nimble gentleman who loves women and dancing.

This is a show of balancing and clownerie with a surreal note where twists and unexpected turns follow one another. A micro-show of objects and imagination, inside a box of wonders, for one spectator at a time! Hundred of amazing, exhilarating and dangerous numbers!

Each performance demonstrates the incredibly high standards reached by these little creatures, through their long biological lifespan and performing careers. Presented by the extravagant and charming italian tamer Chiara Trevisan, the smallest circus of the world is waiting for your eyes only, one at a time inside the box of wonder, for a unique, private and exclusive moment of pure fun.

Absolutely everything can go south at any instant. Accidents are as plausible as they are unexpected. Everyone is exposed to different levels of accidents, from comical mishaps to serious injuries…. So, how does a human being bounce back, using that very trauma as a strength? This show presents our thoughts on the notion of resilience. But how do we express it with the aerial cradle? Il lavoro è un suggestivo esercizio sulla rivelazione del complesso essere femminile…. CONCEPT 1 Corpi danzanti del Balletto Teatro di Torino diventano la base per un nuovo alfabeto dinamico, facendo si che grafica e movimento coreutico dialoghino tra loro in un perfetto connubio.

Verranno esplorati i concetti base della poetica del BTT: Pyrotechnist in his approach with the audience who loves him since the first impact are adult that children. He presents authentic trick and gags strange involving the audience in his crazy scenic adventures.

Guided by the divine illumination of the gorilla Fabrizio, the artistic meeting between the two actors resulted in a fusion of their techniques: All this has resulted in the creation of a show endowed with an incredible energy and unpredictable delirium, with a great deal of involvement from the audience.

The show begins with an empty space, ringed by the audience. The performer shows up, dragging the FlyCase, a wooden black case, conquering all the space and dancing with it. Then he opens the FlyCase, and everything comes out: Afterwards, Ginko comes out of the case: As the performer wears it, he starts dancing a mad dance, which leads him to the discovery of the third element: So, he takes out of the flycase the tools of fire, and dances and juggles with energy and strenght.

But the FlyCase hides another present, maybe the most precious one: By wearing it, the performer will discover a different kind of dance, soft, sensual and fragile. La Famiglia Mirabella looks like a contemporary version of the circus of the past, but its true origin lies in street theater of the twentieth century. Energy, juggling, mime, acrobatics, dance, theater, music…,these are the components of this unique event.

In public squares, empty and lifeless up to a moment before, a Dutch bike suddenly appears with three wheels, unicycles of various sizes, pins, balls, music and five characters with gaudy apparel, hats and vests: The curtain rises before the eyes of the public,and… The show begins! Breathtaking acrobatics on rola bola, with a lot of hulla hoop and juggling, and dance that bursts like a whirlwind of joy, followed by many stunts and smiles of children, which often evolve into collective laughter.

Now the time come to leave you speechless! Even for the most demanding…, the performance rips a loud, uncontrollable applause from everyone. The show is breathtaking. Acrobatica, giocoleria e verticalismo si fondono in uno spettacolo a forte impatto emotivo: Lo spettacolo vuole essere una critica su come viene usato il tempo nella società moderna: Quattro artisti che vengono da percorsi e discipline completamente diverse si mettono a confronto, essendo loro stessi parte di questa società ed essendone catturati in maniera differente.

Nel viaggio affrontano costantemente le difficoltà del percorso: Il tutto ben amalgamato per cuocere storie, assaggiare viaggi, stuzzicare desideri e annusare fantasia! Diverged is inspired by the poetry of Robert Frost to tell the inner struggle that occurs between logic and instinct when you have to make a decision.

A dancer embodies the role of logic, she is associated with the archetype of the Earth, and an air acrobat is the instinct, he is associated with the Air archetype. At the beginning the characters are the mirror of each other, move in unison, but in their evolution occurs gradually and each manifests its own drive toward an element: The rope divides the scene, as to indicate graphically a boundary between spaces, but with defining of character of the actors become a contentious issue: The impulse of the characters toward opposing spaces generates tension, which increases gradually to result in a conflict that sets new boundaries: It is clear, however, that this solution leads to unhappiness of both: For this reason, the performers are compared again, have changed and matured than the first time, disillusioned by the experience of solitary life in their element, they are willing to deal with conflict differently, to dissolve it and to transform it into play; This new approach leads them to a compromise, a balance that respects the nature of each.

Closer is a project that challenges the traditional relation between dance and audience, seeking a closer and democratic encounter with the spectator. The will to investigate the gesture and the intersection between dance and physical theatre has lead towards circus and the circus space and we believe that the performance ability of the dancers will be deepened through acquired skills such as clown, acrobatics or object manipulation.

The idea is not to create a dance-circus fusion but find a new language appropriate to the final dance show. Nando e Maila are an artist couple: They always agree to disagree, on stage as well as in real life.

So, how can you break the humdrum life of a couple when the music, althought rich in variations on the theme, always comes down to the same old song? From one dream to an idea, from one idea to a project, from one project to an adventure, from one adventure to In-Confort. The story of a road to uncertainty, to the unknown, to the intensity and discomfort. Or how we like to call it: A production created in route to Europe, based on the need to break our everyday barriers to entering and discovering new horizons.

Our everyday comfort, situations that produce so difficult to break this bond and many other considerations are the starting point of this trip to reverse the situation. An adventure that leads us to a new world to discover, to set our house on wheels and all surrounded by new landscapes and new people will join us. Copyleft is a multiform juggled project in the public space interacting with live music. The group draws curves in the space and creates pathways of varying lengths, juggled dialogs.

Eight extraordinary jugglers who make of their art of the extraordinary something commonplace in a banal public space transformed into an extraordinary space by their juggling prowesses. Provocative play moving on the thread of the comedy, leading a woman clown to disclose herself in all her aspects: The same point of view that leads the audience in new worlds, those belonging to the body of a woman in all her daring evolutions.

Sequence of comic gags where the funny and yet sensitive side of human being comes out. A play where silence is the red carpet with tyres rolling, domesticated by the main character as they were wild circus animals, a play where silence leaves space for reverie and imagination. A story with hilarious and poetic lines, living under the shade on a gigantic coat rack, with all fantasies of a woman hanging on it. A delicate and yet red biting play just like a ROSA is!

Show created for traveling exhibition into Borbonica Gallery, commissioned by Fringe Festival of Naples This choreography involve publics in an course of the research and fight to reach a new life dimension. The perform is deliberately mysterious and focus on just four dancers reach to vital space, looking to quiet and a place far away to the storm.

A dynamic show with strong musical and comedy ingredients, in which five talented American style acrobats with African energy running in their veins — jugglers, flag-wavers and jumpers with fire — following the whims of a shabby vintage radio broadcasting rhythm and blues music, propose in an original key, reviving the cult of the Blues Brothers with a lot of funny gags which foresee the involvement of the public, incredible human pyramids, breath-taking somersaults, limbo with fire, fantastic jumps with a rope and in two circles.

Over the notes of the legendary movie, a show for an international audience, in which music and acrobatic virtuosity speak. Here are the Black Blues Brothers: Cumbia music playing on the back. Three people dive into dancing. On stage three performers, a juggler, an acrobat and a performance artist creates a continuity of absurd scenes that follow one another as artists question and experiments their limits, ones they impose to themselves and equally the ones imposed by others.

Until where we can go without hurting ourselves? Creating a raw performance with a mixture of black humour and oddness. Taival intorregates this fragile separation that live inside of us all, between an absolute freedom that inspires us and independency that gives essence of being human.

Linked with manipulative games and domination these three artists try to let go of it in order to find a refuge to their frustrations. The performance explores these questions through strong aesthetic prism. A sublimation of pain on stage is assumed like a part of an answer to the the issues raised.

A performance is like an imaginary trip into absurd and irony. Freely mixing different performing art forms, Taival is versatile, rough and corporal work of contemporary circus. Freely inspired by common life of Bella Rosenfeld and Marc Chagall to tap in flight the poetry of love and dreams. And then perhaps in dreams it becomes possible pursuit, recreate that love. Our old Chagall becomes puppeteer, builder of his dream itself.

A melancholy demiurge of a fun dream where he meets Bella and his alter-ego. Maybe there is still a perpetual flight… perhaps because the loss is not the end but a new beginning….

The Grande Piano is a musical instrument that combines music, dance, teaching and playing. The white keys are illuminated with high power LEDs and can follow a colored scale or simply stay white. In the three and a half octaves configuration, the piano is 6m x 1,90m, with a height of 10 cm. The piano is completely modular and size can fit any space. Anyone can play it: The first videos of the Grande Piano on You Tube: The entertainer, with the help of simple cards, teaches melodies that make us feel the pleasure to create playing.

Remembering the melody is not as simple as it sounds … how was this song? With which foot I have to start? How was the second voice? Where did the form of the body come from? He explores body language outside of human vocabulary, to recur ancestral attitude and change the communication codes. An enormous possibility is to be born and to die, endlessly repeated.

Climbing on the fences and poles, jumping off, and holding my breath not to be found by passersby. I was thinking how to trace back from the tip of the evolutionary tree to its root.

The master and innovator of choreograph juggling. To see Stefan Sing play is equal to discover a new dimension for the body and its relationship with objects and space. Juggling makes him experiment. If the experiments are working, great! The patterns that happen by chance have their own beauty and significance. He juggles and he gets juggled. Again and again associations arise relating to quantum physics and the theory of relativity: The piece contains 92 balls, 1 juggler, and a melancholic atmosphere mixed with glimpses of hope.

A bridge between contemporary art and performance. A contemporary happening addressed to a wide ranging audience. The starting point of the research is a reflection on some art works from worldwide contemporary art heritage by Joseph Kosuth, Michelangelo Pistoletto, Christian Boltanski, Jannis Kounellis, Goshka Macuga….

Foreign è il film che nessuno è mai riuscito a fare. Il set, in località segreta accoglie di volta in volta nuove comparse e nuovi volti da inserire nella ripresa di una scena cruciale. Il film tratta di immigrazione, in particolare del trattamento riservato ai migranti una volta giunti nel paese desiderato. Chi di voi vorrà potrà partecipare attivamente al film, potrà farlo compilando un veloce modulo, chi preferisce potrà semplicemente assistere alle riprese.

La cosa più importante è non contrariare mai il regista, col suo caratteraccio si arrabbia facilmente. The performance is thought as a study for three different figures that share a common goal, seek an internal order through continuity, rhythm, repetition of an individual physical process transformation of matter. The tools we use are on one side the body and the perception that one has of oneself, and on the other side, machines and technologies intended as an extension of the human body.

This is not personal, neither casual, dispassionate. I am here therefore I AM for you. How much of me do you see in a performance? Just like you are for me, a shade of my own perception. Did we become what we chose to become or are we what the circumstances make of us?

Is it personality or a consequence of context? This show is nothing personal, it is the result of exchanging me together. Time transforms into games that become material which is vehiculated into forms and create a show. Enter her crazy world of make believe, where magic happens right in front of you, with the use of a magic marker! This lady will sweep you off your feet and drag you into her imagination.

Pesadilla is a performance in movement where dance is combined to contemporary circus, physical theatre and clownerie. The piece tells, with grotesque irony, about the existential growing ugly of a society on the edge of hysteria. Transformation and renovation; stereotypes are broken, surrealism is the key of change, shown by the evolution of the character, even if it is still trapped in his ropes. In everyday life and routine twisting, and sometimes surprises, happen.

The space changes, the body is undressed with the unnecessary to return primitive and evolve again. But everything is ironic and surreal, just like in life. A sequence of food-themed gags, juggling with ladles and trays, live music with pottery and spoons, seasoned with the greatest phisical theatre and the relation with the audience. In the newborn, the first appearance of logic manifests itself in the encounter with an object, something external: In 11 we find human conflict, fortunately too human, between order and chaos, in the constant struggle between Symmetry and its Ab-sence.

Composer Dan Kinzelman and choreographer Daniele Ninarello meet for the first time on a common ground for exploration: Dan Kinzelman performs a suite of improvised music, mixing synthesis, noise and feedback together with the sounds of his saxophone and voice, creating complex, stratified textures with the help of a loop station.

In composing the choreographic part, Daniele Ninarello not only explores his familiar field of instant composition, but works within a territory created by the constant dialogue with the soundscape and the information he receives from it, to contact the invisible threads that bind body and space. The experimentation with sound and with the body thus tends to translate the perceptive elements that make the evolution of the human figure visible.

Something inside the body vibrates constantly like a threat: And this is true for everyone. Only dance can gradually bring these traces into the here and now.

And wipe the gaze clean, find peace. Like a true physical mantra to explore in its continuity: It is the process of two people sharing something that is close to their heart, and using this to learn about each other, and learn from each other. Boa Noite is juggling, it is a process of meeting, of experimentation. A delicate and joyful act with a table and many juggling props. At the base of our creation and play is juggling and object manipulation Balls and Clubs.

This is a passion we share, and this passion extends out into our bodies, and how we can use the two together to create a language and a dialogue. How the body and object move within the space and where and how they meet is at the centre of our research. Intention is also strongly rooted in our work and our journey, as creators and artists we search to justify our intentions and give meaning to our actions.

To share who we are and what circus means to us. Dystonie is a celebration to living beings, even minerals. Although it to look stupid, it seems important. They explore new ways to create and interpretate juggling in solo, duo and trio. Exploration will focus on all the qualities of bodies: The show looks really serius, even if everything is for fun. Gengè recently turned 30 and similarly to other peers feels a strong contrast and tension linked to his personal establishment.

He goes to a job interview for an interesting position at the site of an international corporation. While climbing till the apex presidential floor the lift suddenly stops. In the moment of life that seems to flow faster, where the constant sensation is to risk loosing your life opportunity, Gengè asks himself, the others and the Higher simple urgent questions, in the trial to find answers that become other questions.

The suspended time and compressed space push the character to reconsider his initial motivations, to think with spiking irony about the infinite tension between objective and subjective reality, and finally get to his definitive choice.

Laden Classe is a new young desecrating company following the path established by Subliminati Corporation. They freely mix languages, disciplines and live music to punch the public and get their attention on the incongruences of our society, reinventing circus with freshness and irony. Nebula is a sensorial piece between circus and digital arts. It is a duo on a Chinese pole between a man and a woman. The characters are integrated into a scenic set up that is itself an independent living organism, a parallel dimension in which they are immersed, and the Chinese pole is part of it.

This organism resonates with their relation , their mutual feelings, it is a physical mirror of their relationship. Nebula wants to explore the complexity of relationships between two beings, whose social roles are undefined.

Nebula is a sensory journey. A cycle, a constantly evolving universe, organic, alive. The spiral of time. A flip to the physical space, a new sight, another angle. It means to accept to have the body of the other and to accept to give your body to the other; to understand the strength and the fragility of each one.

For this step, Circo Zoè meets Dona Flor, a musician quintet playing live in synergy with the circus artists. The strength of the artists meets the fragility of poetry. Roue cyr, slack wire and Chinese pole with sounds coming from far away.

Having distilled the musical virtues of discarded objects such as plastic bottles and used tin cans, the unbridled luthier Max Vandervorst now wields scissors in an assault on a most fragile and improbable substance: Woodwinds, strings and percussion are well represented in this quasi-symphonic instrumentarium.

The show is a vast musical box Stories, Songs and found, built with twenty years experience … and with renewed freshness by current events. Giovane compagnia di circo contemporaneo italo-argentina, il progetto nasce in Italia nel Acrobata e clown, Wanagi Valnei ha perfezionato le sue abilità in Sud America e in Spagna, mentre Manuela Gaona è danzatrice classica, performer e acrobata.

Insieme, hanno creato lo spettacolo Involucion: Raccontalo attraverso un video della durata esatta di un minuto! Two men and two women create separately their duos to get together again later on.

Get separated to meet again better later! A new method to renew the creative process. Julien Vittecoq choosed Claudio Stellato. After the TV success of Zelig Circus and the collaboration with the great transformist Arturo Brachetti, the Lucchettino present their explosive show based on their best sketch, the most exilarating gags and the crazy magic effects proposed in 20 years of activity. An amazing show that can shakes the audience beliefs: Tino Fimiani is a clown, a deluded illusionist and a naive ventriloquist, he can mixes juggling, acrobatics, magic, pickpocket and comedy.

A simple and sophisticated, cultured and popular show. Il giovanissimo duo Medini, storica famiglia circense, alle prese con duo di mano-mano e verticali. Una vera e propria promessa del circo italiano. The show is an infinite mix of stories: A liberating laugh that soon turns into reflection. The drunk, the lion tamer, the gooses in love are just some of the protagonists of the show. Antidoto Lento puppets come to life in Adrian Bandirali hands, keeping the original spirit of street theatre alive.

Il tempo si è fermato. Siamo in un non-spazio come sospesi nel tempo. Nel silenzio di un nulla incerto e sempre in trasformazione, sei clowns si trovano ad abitare questo nuovo spazio, senza conoscerne il motivo.

Verso quale direzione procedono, e con quali riferimenti? Paiono creature sopravvissute ad una catastrofe, spaesati e sorpresi della nuova situazione. Dalla mente di ciascuno emergono frammenti di ricordi sbiaditi del passato, pensieri di meraviglia espressi da sguardi ingenui come di bambino che vede per la prima volta il creato. Una goccia cade ininterrottamente, unica presenza sonora, che scandisce il tempo e da riferimento ai personaggi, mentre ognuno cerca di ricostruire la propria identità.

Sono creature umane ed aliene, solidali ed egoiste, comiche e poetiche che si organizzano per creare un contatto, una possibilità di relazione come profonda necessità per la propria sopravvivenza. La sfida per i sei clown è di riuscire a superare i propri cliché per poter sperimentare nuove situazioni, di uscire dai soliti linguaggi ripetitivi, insomma dalla propria normalità, dal proprio ego.

Nella leggerezza della scoperta reciproca e del gioco condiviso, le loro azioni e i loro percorsi si incontrano, si scontrano, si intrecciano in una trama di relazioni, tentativi, scoperte, paradossi che porteranno i protagonisti a trovare un linguaggio comune. How do you feel? Lost, I got lost, in pieces. I search and I do not find. I do not see but I wish. I run, I fall but keep trying. Tired, I dream and maybe I dance. Do you see me? I decided to gather some of my students and to begin a research with word, movement and memory.

I felt the need to learn and discover each one of them. We danced in architectural and natural spaces, sometimes abandoned and sometimes not, during different times of day and night, in outdoor situations and confined spaces. We observed, photographed, filmed and then recounted. Each one of us tried to tell their own desires.

The movements are fragmented. The thoughts end up in pieces, without an order and a sense, searching for a contact and some sort of communication. Simple actions in space: Four men, they search, they stop and ask some questions, they repeat and repeat actions as if they were looking for a forgotten ritual. The project has three parts three tanz: An unknown dance in which the two performances will contaminate themselves and meet in a game of discovery, each time different.

Each dance will attempt to continue its path, dealing with the new, with the other, the alleged stranger, the different. The work explores the profile of fear, in its different psychological nuances, its collective triggers and deactivators, investigating the intimate fears of contemporary humanity, the life-patterns we are unable to control.

The work tackles this theme through a bodily language that is open, and employs a scaffolding of gestures that balances abstract rigour and sensory impulses. Su palco Apertura Main Stage: Uno spettacolo di circo contemporaneo creato ed interpretato da ragazzi dai 15 ai 20 anni. Tutti gli artisti ospiti del festival sono invitati a partecipare. Nei propri panni o in quelli altrui, un invito a rimescolare le carte, a rivedere le cose, a trovare nuove soluzioni e nuovi orizzonti per i nostri mondi.

Il nostro piano B messo in scena nel Cortile Calvino, per ripensarsi e gettare le basi per nuovi progetti, ibridarsi, crescere e cambiare. Clownerie, juggling, fantasy show. Just a street show or not? By and with Lorenzo Baronchelli. Are you stuck in traffic?

The only cop in the world who can create traffic jam in the desert and give you directions if you are lost in a glass of water. A policeman playing with a traffic light and improbable fines. An impeccable agent chasing offenders by unicycle and directs traffic on a balance ball. A cop so loyal to his duty to upset any other existing rule of the Civil Code or physics!!! If the ocean were ill, would she weep? If clouds were riddles,, would we listen? A tempest to tame the fools that fashion the world for profit.

Above them sailors ply the seas of commerce, turning the wheels of industry… ignorant of the storm brewing in the depths they float upon. Inspired by the challenge of climate change it speaks in transformational metaphors using the craft of acrobatic stiltwalking. The ghost of a sea captain and the primal siren of the sea confront the sailors of commerce, seducing them into the awakening that the ocean is a living being.

La Cosa is the result of a three year long research during which two subjects have been extensively explored: Since September , wood has imposed itself as key material on stage.

It has become the source of the choreographical purpose of la Cosa. During the show, the four performers produce intense physical efforts with a lot of technical precision. Meanwhile, they focus on a range of human relations such as cooperation, competition, violence, gentleness, trust and complicity.

La Cosa goes beyond the principle of having a narrative, in order to invite the audience to a deep and malicious trip to discover all of the many aspect of this one and only element: Born in Milano in , Claudio Stellato is a multidisciplinary artist who lives and works in Brussels.

He first trained as a jazz musician at the Scuola Civica Jazz in Milan while working on street theatre. He then travelled and trained for several years in theatre and circus in different countries before entering Le Lido, Centre for Circus Arts in Toulouse in In he won two contemporary dance solo contests with his show d. Besides his own projects, he organises workshops and provides external advice on peer productions. He currently collaborates with the Crida Company on their project for , Mama et papa carnaval.

Come on, finish your food, till there is only the truth left. Today, we will escape from reality, for us and for you. We will fly over the ground to the rhythm of more or less dangerous jumps.

Our intimacy will explode, we will forget the fear of void, we will laugh till crying, screaming from our hearts, pushing our bodies to the limits….

Till MADE IN is an hybrid form, 1 hour and a half long, performed by a grup of artists coming from all around the world, 15 universes, 15 circus disciplines. The only thing you will be left with will be the spicy and unexpected taste of 15 exposed bodies. Enough with the same old clubs, unicycles and jugglers… Tobia Circus presents an innovative show where ordinary brums lead us in the absurd world of Philip Sutil, a thin and nimble gentleman who loves women and dancing.

With a healthy dose of humour, Sistema-T uses choreography and comedy to make everyday situations turn into absurd plots, bringing the audience to a playful and unpredictable world. Using visual and non-verbal performance, the show blends the anecdotal and the universal, the classical and the contemporary. In Lemon Time, the audience rediscovers childhood with its shared moments and its carefree dreams of freedom.

The solo EFFACÉE S Erased puts the female body affirming its femininity to pasture by submitting it to the gaze of spectators who are led to change their view of the naked female body. A woman exposed is progressively transformed under the eye of the spectator into a deconstructed body, buffeted between agonizing struggle and imbalance. How to unveil the individual and its intimacy beyond its appearance?

In addressing the issue of identity, of how it changes and changes over time, I observe the body as a witness of tracks and signs that lead us to re-know each other as abstract figures and authentic, busy in the act of resist, and I imagine this act as a ritual. The intention is to investigate the theme of the passing of time in connection with the development of identity, photographing its continue dissolving and transform.

Individual identity and common is here understood as a precarious balance between solid and void, balance — unbalance, war — peace, an archive made of phisical memories that manifest themselves in the form of movement. Two dancers recall conflicts and personal memories.

Facing the over 60 and handicapped performers met during two different workshop in Collegno. The dancers creates a special dynamic of attraction and repulsion. Proximity and care are the energy and the block to go forward. Our subject are the humans, people and animals. Our approach is not cerebral. An image, an idea, a gesture, everything is a pretext for the work of the body. Julien and Jur are on stage with Gabriel Agosti and Anicet Leone, they blurs the boundaries between disciplines and create new interpretations.

Mañana Mañana es is the fourth creation of the company. The first of the show took place at the Festival Montpellier Danse on 2 and 3 July Can a steel cable of 16 mm diameter, sixty meters long be played like an instrument?

Trk 1 is a theatrical show, a choreography on a cable, and a concert given with the longest string ever played in the world. So that four extraordinary musicians, with extraordinarily diverse backgrounds, are involved in it Julia Kent: Two guitars, a viola, a cello and a steel cable with a diameter of 16 mm: Twenty-one strings vibrating to break down the barrier, searching for the light.

At first it is just the dialogue between the tightrope walker and the void. A dialogue made of silences and inaudible noises, ampli fied by the sensitivity created by the height, the risk, and the concentration which takes form in the air through the simple return of the sound produced by the movement and swing of the taut rope.

The cable — that we hear for the first time — returns the sounds of what the tightrope walker transmits to it as he walks on it. If he is nervous the cable will be nervous, if he can stay calm, the cable is calms down. Then, an intangible and magical art evolves through improvising with musicians, electronics, and technology: The music is created by the movement and its interaction with the musicians. It is defined in a sort of continuous meeting, just like the balance of the tightrope walker: In this show the emotions transmitted to the cable will be amplified and made audible to the public.

Plan B for Utopia is a new full length work by Dundee based choreographer Joan Clevillé, exploring the role of hope, imagination and struggle in our personal and collective lives. The work is a fresh and original combination of dance, theatre and storytelling, featuring two versatile and charismatic performers.

Breaking the fourth wall and with a good dose of humour! The performance is accessible to a wide range of audiences and particularly suitable for young adults. Featuring music by Judy Garland, John Lennon and Louis Armstrong among others, the soundtrack of the work shows how the idea of utopia is embed- ded in our everyday lives and popular culture.

Our everyday comfort, situations that produce so difficult to break this bond and many other considerations are the starting piont of this trip to reverse the situation. A playful way to test your own limits, trying to escape the inevitable consequences. David and Tomas and will make sure to have fun before that happens. Douglas is at work with a number of simple objects that might be found in any theatre space.

An ecology of sorts is revealed through the inter-connectedness of body and staging elements. At times light and very delicate and at times heavy and dramatic, an alchemy of circumstances permits a situation where neither performer and audience can be certain of the outcome of actions as they unfold.

The work holds many surprises, often defined by the objects themselves. As research and performance, this work pursues an extended potential for choreography, specifically through involving inanimate materials that might take on some agency or control of a situation, rather than remaining dead objects manipulated by human subject.

Subject and object identities might be tested and become more fluid. Douglas stems from physical actions imagined by Robbie Synge while working on various daily tasks at home in rural Scottish Highlands. The work was developed throughout , outdoors and in Evanton Village Hall. An invitation to oversee the horizon, to face what is enlighted, to scan its light. Vai Indietro Stai uscendo da Pornhub. Check out our blog for more information. Rimuovi gli Annunci Pubblicità di Traffic Junky.

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